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Showing posts with label 50mm. Show all posts
Showing posts with label 50mm. Show all posts

Sunday, 10 April 2016

Sony Sonnar T* FE 55mm f/1.8 ZA Review with Full Res Sample Shots

If you are a Sony A7 user then for now this is the only 50mm lens with AF you can use and it's not a 50mm lens to be exact, but it's as close as it gets. It is not cheap and it is not the fastest lens considering the price. So why would you buy it? Easy. Because it is friggin fan-tas-tic! I was a long time Nikon user, and I used some Canon cameras over the years as well. I am familiar with f/1.4 and f/1.8 50mm lenses those companies make, but none of them come even close to the Sony Zeiss. In terms of optical quality this is just a killer - f/1.8 is fully workable, this lens does not need stepping down to produce a really decent image, but if you do step down just a bit the resolution becomes insane. I think it surpasses by far the resolution of my A7 (24mpix). In terms of design the lens amazes as well - it is really minimalistic and elegant, plus it's compact. The body is anodized aluminium - I just love this look.




AUTOFOCUS
It's  a pity though that the focus ring is not mechanic - it's electronic so for me this reneders it useless, but on the bright side the AF is really fast, silent and accurate. However when there is really little light it becomes kinda lost - sadly I couldn't compare it with Nikon/Canon in the dark. Don't get me wrong, you can and you will get your subject in focus, but compared to how it works in daylight (lightning-fast) it is a little on the slow side. I found out that it works better when you use multiple AF points is such situations.

BOKEH
This lens produces probably the smoothest and most pleasant out-of-focus areas I have ever seen. Really impressive stuff, it's where you begin to realize what you spent your money on. When you step down the bokeh is still a pleasure to look at. 

SHARPNESS
As I said fully workable at f/1.8 (even in corners the resolution is really really good on FF which surprised me). Tack sharp at f/2.2-2.8, and when you step down even more your eyes begin to water.

COLOUR / CHROMATIC ABBERRATION
The lens renders colour really masterfully and I think it's partly down to the fact that it produces really contrastive, vivid images. The chromatic aberrations are corrected nicely. They come out in extreme situations, but are relatively small.

In conclusion, this is not the most affordable lens out there, far from it. But if you save up and buy it, you will not regret. It gives you plenty of bang for your buck. 


PROS:
  • sharpness (good corners at wide open)
  • bokeh (smooth and pleasant, beautiful light circles)
  • colour
  • contrast
  • low CA
  • sturdy aluminium body
  • compact and good looking design
CONS:

  • price
  • no mechanic focus ring
  • low light AF performance could be at least slightly better





















Monday, 29 June 2015

Sony A7 + Voigtlander 50mm f1.1 lowlight shots from a gig

I went to a gig yesterday and I took some shots with Voigtlander 50mm f/1.1 lens that I got from infoto.pl for a test. I love this lens, awesome stuff. If you shoot in low light - this is the lens to use!
Sony A7 + Voigtlander 50mm NOKTON f/1.1

Sony A7 + Voigtlander 50mm NOKTON f/1.1

Sony A7 + Voigtlander 50mm NOKTON f/1.1

Sony A7 + Voigtlander 50mm NOKTON f/1.1

Sony A7 + Voigtlander 50mm NOKTON f/1.1

Sony A7 + Voigtlander 50mm NOKTON f/1.1

Sony A7 + Voigtlander 50mm NOKTON f/1.1

Sony A7 + Voigtlander 50mm NOKTON f/1.1

Sony A7 + Voigtlander 50mm NOKTON f/1.1

Sony A7 + Voigtlander 50mm NOKTON f/1.1

Sony A7 + Voigtlander 50mm NOKTON f/1.1

Sony A7 + Voigtlander 50mm NOKTON f/1.1

Sony A7 + Voigtlander 50mm NOKTON f/1.1

Sony A7 + Voigtlander 50mm NOKTON f/1.1

Sony A7 + Voigtlander 50mm NOKTON f/1.1

Sony A7 + Voigtlander 50mm NOKTON f/1.1

Sony A7 + Voigtlander 50mm NOKTON f/1.1

Sony A7 + Voigtlander 50mm NOKTON f/1.1

Sony A7 + Voigtlander 50mm NOKTON f/1.1

Sony A7 + Voigtlander 50mm NOKTON f/1.1

Sony A7 + Voigtlander 50mm NOKTON f/1.1

Sony A7 + Voigtlander 50mm NOKTON f/1.1

Sony A7 + Voigtlander 50mm NOKTON f/1.1

Sony A7 + Voigtlander 50mm NOKTON f/1.1

Sony A7 + Voigtlander 50mm NOKTON f/1.1

Sony A7 + Voigtlander 50mm NOKTON f/1.1
all samples taken @ f/1.4

Monday, 25 August 2014

Voigtlander 50mm f/1.5 lens test sample shots

It's one of those lenses that you have to get to know to really appreciate. I've had it for a couple of weeks now and my opinion changed a complete 180. And that just proves that doing tests of studio setups and preparing resolution charts sometimes says completely nothing about a piece of equipment. This lens has integrity and there are no numbers that can express that. Thanks to infoto.pl for letting me test this lens.

Voigtlander as a brand has been known to combine new technologies with tons of legacy and I would say that this lens is a great example of that approach. First of all it is really compact and light and has got a fantastic feel. It just is a small piece of craftsmanship. I know that those things don't affect the way it takes photos, but they do affect the smoothness of focus and aperture rings which is just amazing. The lens feels really solid and there is exactly zero backlash so if at any point you feel like changing the direction of focusing you just do it without the unpleasant rattling. Another thing is that the focus throw is rather short which I adore so you will be able to run through the whole focus range without having to let the focus ring go at any time. (some people might not like this, but it wasn't a problem for me)

The next thing that I really appreciate is the bokeh. Not only is it amazing, but it is in perfect sync with my preferences when it comes to stopping down. Most lenses will have the best bokeh at maximum aperture, but to my amazement this one has the best bokeh just a little stepped down. This will probably be caused by the aperture having as many as 10 blades. (Nikkor 50/1.4D has 7 blades for example) Many photographers I know will usually step down half a stop or a whole when they use very fast lenses just to get that sharpness kick in. When I did this with the Voigtlander 50/1.5 I realised that the bokeh at f/2 is even better than at f/1.5. That's why 95% of the photos were taken at f/2.

All the sample photos taken with my Sony NEX5N through a Voigtlander NEX-VM adapter.
What I love: great bokeh combined with superb sharpness (100% crop below) at f/2

butterflies' 'horns' and the fabric of the dress are sharp as a tack at f/2


Another thing that most of those modern lenses lack is the ability to preserve crispness of colour. No trouble with that here:

colour and contrast rendering abilities are just top notch

exceptionally good bokeh visible through the window and pleasantly soft out-of-focus legs


super lens for portraits (100% crop below)

really nothing much left to wish for when the details are as fine as the 'grain'






No lens is perfect and this one isn't either. At f/1.5 the centre of the image is very decent, but like with the lenses from the olden days the corners in this one are just a tad soft. Thankfully stopping it down does a lot of good to the focus as well as the bokeh so no harm there. Another weak point is the hromatic aberration, but this is an issue that all fast lens freaks have to deal with in their own fashion. ACR comes to the rescue so you can remove those green and purple ghosts as easily as it gets.

some chromatic aberration in contrastive sections, nothing serious though

 +

- outstanding bokeh (10 aperture blades)
- solid, well designed and compact body
- sharp enough at f/2
- good colour and contrast rendering
- comfortable focusing / high precision focus ring
- vintage feel

-

- some chromatic aberration